In the late 1970s and 1980s, one of the most popular forms of rock and roll was heartland rock. It was characterized by a straightforward musical style, a concern with the average, blue collar American life, and a conviction that rock music has a social or communal purpose beyond just entertainment.
The origins of "Heartland Rock", like that of so many genres, are as nebulous and difficult to describe as the genre's definition itself. The genre began as a confluence of white soul, garage rock, rhythm and blues and rock and roll.
While the genre emerged recognizably into the mainstream in the late 1970s with the commercial success of Bruce Springsteen, Bob Seger, and Tom Petty, the genre's antecedents appeared throughout pop chart history, via popular artists like Bob Dylan, Creedence Clearwater Revival, Mitch Ryder and the Detroit Wheels and Van Morrison, and lesser-known examples (The Flaming Ember, whose 1971 hit "Westbound Number Nine" was an example of the mixing of garage rock, rhythm and blues and rock influences that would later exemplify the genre) and earlier ones like Eddie Cochran and Del Shannon.
The genre reached its commercial, artistic and influential peak in the mid-1980s, with John Mellencamp joining Springsteen, Seger, and Petty as its most prominent artists.
In concert, heartland rock often took the form of crowd-rousing anthems, leading to comparisons with Midwestern arena rock groups such as REO Speedwagon and Head East, whose style however owed more to seventies pop rock.
Most heartland rock shared some common characteristics:
- Traditional instrumentation - Guitars (electric, acoustic, and bass), drums, and non-synthesizer keyboards (pianos and the Hammond B3 and Farfisa organs) predominate. The harmonica and mandolin also appear frequently
- Influences - Heartland rock owed much to pre-1964 rock and rhythm and blues, and to a lesser extent country and western, rockabilly, the British Invasion, and the "White Soul" of the 1960s and 1970s. Artists like Van Morrison and Bob Dylan had wide influence, as did the rhythm and blues of the Stax/Volt record label.
- Subject matter - Heartland rock was no less diverse than any other genre - but, as discussed by writers Dave Marsh and Robert Christgau among others – at its core its most constant theme was isolation in many forms: Social Isolation, Physical Isolation , Economic Isolation, Personal Isolation
This is an 1969 well known hit of Creedence - "Proud Mary"